New Order - Lost Sirens, 2013
Design by Peter Saville

New Order - Lost Sirens, 2013

Design by Peter Saville

Section 25 - From The Hip, 1984
Design by Peter Saville and Trevor Key

Section 25 - From The Hip, 1984

Design by Peter Saville and Trevor Key

New Order - “True Faith”, b/w “1963”, 1987
Design by Peter Saville & Trevor Key

New Order - “True Faith”, b/w “1963”, 1987

Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987
Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987

Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987
Back of 12” sleeve
Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987

Back of 12” sleeve

Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987
12” inner sleeve
Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987

12” inner sleeve

Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987
Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987

Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987
Design by Peter Saville & Trevor Key

New Order - “True Faith” Remix, “1963”, and “True Dub”, 1987

Design by Peter Saville & Trevor Key

Section 25 - Always Now, 1981

Section 25 - Always Now, 1981

James Nice - Shadowplayers: The Rise and Fall of Factory Records, 2010

James Nice - Shadowplayers: The Rise and Fall of Factory Records, 2010

 
New Order - Retro, 2002
Cover by Peter Saville
Saville in 2011: “I’d been in the Helmut Lang store in New York and in the entrance was an assemblage which he had made: two large carved wooden eagles around a huge glitter ball. Months later, when the request of doing the cover for Retro was put to me, I couldn’t get eagles and the glitter ball out of my mind. It represented both Joy Division and New Order. The eagle was dark, brooding, gothic and where the band came from – Joy Division. The glitter ball was what happened afterwards, which was New Order. The glitter ball is deliberately broken, so the eagle is picking away at disco. Helmut Lang was OK with us referencing his work. It was a very memorable photo shoot. Tilly the eagle was a lovely bird, she does a lot of TV work, but when a creature like that is actually standing next to you it’s terrifying.”

New Order - Retro, 2002

Cover by Peter Saville

Saville in 2011: “I’d been in the Helmut Lang store in New York and in the entrance was an assemblage which he had made: two large carved wooden eagles around a huge glitter ball. Months later, when the request of doing the cover for Retro was put to me, I couldn’t get eagles and the glitter ball out of my mind. It represented both Joy Division and New Order. The eagle was dark, brooding, gothic and where the band came from – Joy Division. The glitter ball was what happened afterwards, which was New Order. The glitter ball is deliberately broken, so the eagle is picking away at disco. Helmut Lang was OK with us referencing his work. It was a very memorable photo shoot. Tilly the eagle was a lovely bird, she does a lot of TV work, but when a creature like that is actually standing next to you it’s terrifying.”

Joy Division and New Order - Total, 2011

Joy Division and New Order - Total, 2011

80srecordparty:

Procession b/w Everything’s Gone GreenNew Order, Factory Records/UK (1981)

Design by Peter Saville

80srecordparty:

Procession b/w Everything’s Gone Green
New Order, Factory Records/UK (1981)

Design by Peter Saville

Pulp - This Is Hardcore, Inner sleeve of LP, 1998
Design by Peter Saville and John Currin

Pulp - This Is Hardcore, Inner sleeve of LP, 1998

Design by Peter Saville and John Currin

Pulp - This Is Hardcore, Inner sleeve of LP, 1998
Design by Peter Saville and John Currin

Pulp - This Is Hardcore, Inner sleeve of LP, 1998

Design by Peter Saville and John Currin